New Lino-Cut Printed Covered Stoneware Box

Flower Lino-Cut Printed Covered Box

Flower Lino-Cut Printed Covered Box

Carving house shaped lino-cut

Carving house shaped lino-cut

This particular house shaped lino-cut was made for the article that Annie Chrietzberg wrote for the current issue of Pottery Making Illustrated (Jan/Feb 2009 pg 17-20) and this is the first time I’ve actually used it to make something clay related – ’bout time wouldn’t you say?  I did just have a flash of an idea as I wrote that last sentence – excuse me while I make a note to self….  Okay, I’m back now and will test my idea later today.  In case you’re interested, the house template is 5″ tall from base to peak x 3.25″ wide – the roof begins at 3″ from the base.  Don’t ask about the .25″ – it must have been a good idea at the time. Want the template?  Click here:  house-shaped-template-pdf

Click on one of the images below to see larger construction photos of the  “House that Cynthia Built”:

The box is not quite finished yet – I still have to cut the lid off, add some feet and a knob.  I made it on Monday, so it should be leather hard by now.  I make most of my covered boxes with “stiff slabs” meaning that they are already at the leather hard stage by the time I assemble them.  To make this box, however, I  used 1 hour old fresh slabs since I needed fairly pliable clay so that I could bend the eves of the roof without worrying about cracking – yet the clay also needed to be slightly stiff so that the walls would not flop over during construction.  As with many things in life, timing is everything. ;)

Meanwhile, I am chaperoning a field trip to the Denver Art Museum and the Colorado History Museum tomorrow with my daughter’s class.  I’m bringing my camera and also a sketch pad so that I can get some ideas for new designs.  I’m always amazed when I see pottery from eras past -  still very fresh – or maybe it’s just that there are only so many things/forms etc. that one can make with clay so we keep reinventing the past?  Not sure what the answer is.

See you Friday,

~Cynthia

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12 comments

    • Thanks Linda, I use an X-Acto knife and a metal ruler as a guide. I normally add a bit of clay to the lid, so that it doesn’t slide all over the place.

  • sweet little form, plus I’m sending you some of our heat wave, today 45C again and i was baulking at 41c prediction 3 days in a row….ha hence no clay work happening in this!

    • I need to remind myself about the freezing cold this coming July when we’re experiencing those high blistering temps…I’m not sure what’s worse? Last summer, I had to work in the morning or not at all cause it was so unbearable by noon. Stay cool!

  • Love the box Cynthia, thanks for sharing the construction process too. I’m planning to try some box forms again this year (ones that don’t slump – I have to work on my timing!). Enjoy the museum trip!

  • I love how you share your whole process with us. Such an interesting technique and beautiful product! I also have to add reading your post I read “leather hard” and had a quick flash back to one of my high school art teachers with a heavy Mass accent saying “letha haahd” – that was a fun memory!

    • That’s funny, Jessica – I was just having this conversation with my daughter about regional accents! We were talking about how in countries, not just the US people speak with a dialect – so if she is studying French, and visited Canada, she might have a hard time understanding the language. I even brought up New England and gave her some examples. ;)

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