Golden Cut linoleum from Dick Blick

After building my boxes and HAND painting each and everyone for the Colorado Potter’s Guild Show and the Summer Art Market, I decided that I should employ a different method to speed up production of my boxes. Hand painting certainly has a place in my work, but it is labor intensive. So, I decided that the humble relief print would be the perfect solution since I would only need to do the labor-intensive part (carving) up front. The lino-cuts will last years and years and leave a nice imprinted texture on the slabs of clay.

Did I mention that I like using the Golden Cut linoleum from Dick Blick? I hate battleship gray linoleum - ick petuie blech. One other cost effective option,is to carve actual left over linoleum if you have any sitting around your house. Someone in my printmaking class in college did that and it worked great.

I decided to start with a theme that I use frequently - a series of vertical vines. First I draw my sketch with pencil and then go over the drawing with a sharpie for easier carving later on. Pencil smudges, sharpie doesn’t. Love Sharpies - I don’t think one could ever have too many!

Starting to carve

I quickly learned that having the right tools for the job makes all the difference in the world. Forget the cheapo carving tools and invest in some nice palm sized wooden handled ones in a variety of sizes. I purchased my set from a wood working shop in Maine similar to these, though less expensive. One word of caution - carve away from yourself. I speak from experience.

Side View

Finished carving

Yesterday afternoon, I finished carving the vine and even did a little ginkgo leaf cut, since I broke the one I originally made. I tried cutting it out - didn’t work.

Poppy Drawing

My poppy box sold right away at the Summer Art Market, so I decided to replicate it in linoleum. Once again, I hand drew the design in pencil and Sharpie. This time, however, I decided to make this like a line drawing. Where I carve away, it will be raised when I print it on clay. Where the linoleum is left intact, it will leave an impression when printed. Don’t forget that this will be backwards when it’s printed - especially important if you want to add any text. When using text, I like to write words out in pencil and then I hold the linoleum up to a mirror before I carve away to make sure it looks right.

Today, I’m going to venture out to the garagio and do some relief printing on clay. My mom’s birthday is coming up soon and I promised her a box - so I’d better get to work!

Till later,

~Cynthia

This entry was posted on Wednesday, June 18th, 2008 at 11:25 am and is filed under Handbuilding, Relief Printing.You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.