Full Circle Inspiration
Chandler Romeo's ceramic cityscape featured in "11.11.11" at Gallery Nord in San Antonio, TX. Photo Credit: Steve Bennett / SA
A funny thing happened late last fall during a field trip for a class I took called “Field Books”. For this class we kept a “field book“, or sketchbook as a tool to map, make notations, sketch, journal, and analyze a site over the period of a semester as a generative process to document and as a way to make an intelligent design leap that an aspiring landscape architect might utilize when beginning a new project. Artists, use a sketchbook regularly to keeps notes, and to test potential design ideas – and this is very much a similar creative process. Historically, a field book has been used by scientists, cartographers, and others to document notes and imagery of the flora, fauna, and physical landscape of areas visited which was used at a later time to further research.
I LOVED this class and imagine my surprise when the instructor took us to an artist’s – a ceramicist’s – studio no less, to check out her clay work. I was slightly nervous since I know quite a few people in the local clay community, and had actually been introduced to Chandler at Plinth Gallery by my friend and ceramic’s mentor, Mary Cay, last summer during their Colorado Clay show – which incidentally coincided with the Marvelous Mud show at the Denver Art Museum (you can read the review here). It was an incredibly exciting summer for clay enthusiasts last summer! But I digress….
Of course, she didn’t remember me – nor did I expect her to after a brief 10 second chat 6 months prior. At any rate, the purpose of the field trip was to look at Chandler’s ceramic landscape installations through an alternate lens and as a way to begin to “sketch” landscapes in 3D. I am enamored with her work and pine more than just a little for some clay to squish between my fingers. Luckily or perhaps wistfully, school leaves very little time to think about any extracurricular projects beyond school. The memory of the trip to her amazing studio, that she shares with her artist husband, has stayed with me through winter break and I am am beginning to start imagining when I can get back in my studio on a regular basis. With less than 4 months until graduation, I feel energized and ready craft a new creative career bridging art + landscape. I don’t know what it’s going to look like, but I’m ready.
*As a side note, I believe that Chandler’s ceramicscapes are handbuilt using slabs of clay, rigorously laid out using a map that she creates so that when an installation goes to a gallery, it can be installed as she originally envisioned.
Re-entry is Rough
Roughly 3 weeks ago, I swung by the Colorado Potters Guild to pick up 25# of clay in anticipation of a clay reboot during my winter break between semesters. Alas…the clay is still sitting in the mudroom unopened, chastising me for being such a procrastinating wuss. The truth is, I feel rusty and a little intimidated by the fresh clay. It also doesn’t help that my work space in the garagio is a freezing mess and hasn’t really been organized since we moved here back in August 2009. (see below)
See – my wheel (far left) is barely recognizable underneath piles of stuff and while I wired our garage for my Skutt kiln, I have never fired it even once since moving here. I have two other kilns that are buried under other stuff somewhere else in the garage. sigh…. It also doesn’t help that the garage is not insulated – makes working in there pretty unbearable this time of the year.
So what’s a girl to do? I need a flexible warm space that’s convenient and works with my crazy school schedule – what if the clay mood strikes me at 1am in the morning? I could work at the shared studio at the guild when I have the time to drive cross town, or I could utilize part of my basement (if I can talk my husband into this) – though I don’t really like the idea of clay dust in the house. It’s a conundrum that I’m going to have to tackle this weekend because my last semester of school starts January 17th – a date that is rushing towards me at a lightning fast speed.
As an aside, we might be moving this summer – so I don’t really want to get too cozy. As for the clay – I know I just need to open it up and start by just touching it – the rest will hopefully follow.
Happy 2012!
Yay – it’s a new year! Like many other people, I welcome the new year as a time to take advantage of a semi-fresh start to make resolutions and to rekindle flames that may have dimmed a bit over the past year (or several).While one could argue that simply flipping the pages of a calendar from 2011 – 2012 is really part of the space time continuum – part of one long trajectory, it is still symbolic and clearly worthy of celebration by people all over the world every single new year. It is in this vein, that I celebrate 2012 & all of it’s glorious potentials and opportunities.
2012 is also the year I graduate with a MLA (masters of landscape architecture) degree – a path that also sprang from a new year’s resolution (2008) to finish something I had put aside years before. While graduating is a huge accomplishment for me and my family (who have suffered through the past 2.5 years of my harried presence), it has also been a great learning experience and one that I hope to apply to my dusty pottery career. Yep – I often joke that this MLA might just be the best MFA I ever earned! ;D
Seriously, I recently sat down with a wonderful friend of mine on the eve of 2012, and we mused on the state of the economy and how I might use my new credentials come May. I have some small landscape projects on the horizon, but nothing that constitutes a full time job, with benefits, and the promise of a gold watch upon retirement (and do I really want that?). More than anything, I really miss clay & the clay community. So, why can’t I do both? My friend asked me, “Don’t you think that this is part of the new economy?” Meaning multiple streams of income.
I wonder. In retrospect, I think this is what a lot of potters & all artists do really well. Multi-task – teach, make, sell, market, etc., etc. I know this leaves us feeling pulled & tugged in multiple directions, but would you do anything else? Would you settle for just any job for the sake of a job? I realize that my question might sound privileged – but I am going to have to invent myself since I’ve been unemployed & have been MIA in the pottery world for the past couple of years. In my case, if I really want a full time landscape architecture job, I could probably get one in Asia – it’s where a lot of $$ & construction is happening. In the US, it’s much, much tighter and competitive for a newly minted landscape designer – beggars can’t be choosy, as the saying goes.
So, I made a couple of resolutions towards stepping back into the clay world – while still completing my schooling and venturing into landscape architecture come graduation.
- I am going to reinvigorate my blog – this blog – it’s a great way for me to be involved with the clay community and to get my thoughts in order regardless of audience.
- I am going to set aside 1 day a week of working with clay in lieu of a landscape internship (I did one last summer-fall) in order to explore new ideas and to make some work for sale on Etsy - my shop is looking so forlorn right now.
- I am going to make work for the biannual Colorado Potters Guild Spring show in May and take advantage of the studio space – I have been giving the guild my monthly dues for studio upkeep & maintain the website as a volunteer without any benefit for the past couple of years.
- I am going to revisit all my favorite clay bloggers & find new ones to foster community + inspiration.
Meanwhile, I’m really becoming addicted to Pinterest – I’m going to have to curb this if I’m going to be a productive, multi-tasking aficionado.
xo,
Cynthia
I’m Borrredddd!
I guess that means that it’s time for me to go back to school. It’s been a good break, albeit a bit long and I still didn’t get everything accomplished that I wanted to in the past 5 weeks. My break has been punctuated by family visits, holidays, fun and then in the last week, the national news that pretty much consumed me as I scoured the internet for any and all information. I hate to be a pessimist, but the past week left me feeling a bit hopeless and drained. I suppose like many people, I needed time to digest everything and regroup. AND, regroup is what I’ve done because ultimately, I have faith in the human spirit.
In between spending too much time online and being a lady of leisure, I have slowly continued to de-clutter and organize our house as we prepare to potentially move across town this summer between semesters – I do miss my former studio and look forward to inhabiting it once again. Thanks to my recent online dalliances and boredom, I retook the Myers-Brigg Personality Test for kicks and giggles. Actually, I retake this test every so often in an attempt to see if the results will change – they don’t. I’ve been an ENFP ever since I first took this test in my youth. I’d say it’s a fairly accurate – I’m an idealist and a people person which made the news out of Arizona last weekend very traumatic. I have such a hard time understanding why things like this happen – and don’t get me wrong, I’m not naive, just sensitive.
I finally cut myself off from all news and focused on the tasks I needed to complete before beginning my 4th semester of grad school, which begins tomorrow. News overload just isn’t healthy….
Meanwhile, on my to-do list this winter break is to update the Colorado Potters Guild website with photographs of work taken before our fall show. I began editing the photographs this morning and several caught my eye, including Ginny Cash’s covered jar above and Sarah Christensen’s covered jar below. Nothing like looking at beautiful handmade pottery to make me feel better!
Finally, I think I learned something about myself. I’m the type of person who can get a heck of a lot done when I’m busy. Sitting around, being lazy does nothing for me and in turn makes me even more lethargic – such a vicious cycle. Have a good week everyone!




