Posts Tagged “annie chrietzberg”

Hybrid Leaf Vases

I liked making these 2 vases - the bases were made from slabs of clay and the wheel thrown neck was added after the hand built portion of the vase had set up (not quite leather hard) enough to withstand having the neck addition.  I also made a bisque texture plate using ginkgo leaves from the little tree I planted in my yard - though I haven’t used it yet.  The white glaze is new for me - it’s from Mastering Cone 6 Glazes by Hesselberth and Roy, pg. 108 “Faux Majolica”.  There’s a great interaction between the white and the aqua color glaze where they overlap that I really like.

In an effort to use and store a limited number of glazes and all the associated raw materials in my small garagio, I thought this white would be good as both a liner and I might like to try painting some stains on top in the future maiolica style.  I decided to be conservative and only made a 5,000 gram batch just in case I didn’t like it, but I have to say, it fires terrifically!

In regards to glazes, I decided to bite the bullet today and purchased the Digital Fire Insight Glaze Calculator after testing several different programs, even a free glaze calc program.  I’m all about free, unless it isn’t working for me and this one isn’t a terribly intuitive program - but that really applies to me only.  Maybe now that I have the glaze calculation program, I can add my glaze recipe page to my website.  I’ve been too lazy to format tables in word for my recipes and it would be really cool for others to see the analysis that accompanies each.

Square Bottom Mug - hand built from slabs of clay

I really like the way this mug turned out - round top, square bottom and the faux majolica MC6 glaze interacts nicely with this green one too! In an effort to move away from the templates that ceramicist, teacher and writer Annie Chrietzberg gave to everyone this past summer during a workshop I took here in Denver, I tweaked her template just a tad giving the mug a square base instead of a round one.  The tweak was minimal, but effective.

Speaking of Annie - I wonder if her ears are ringing right now…I enjoyed spending a couple of hours with her yesterday in my studio.  She’s warm, funny and very generous with her knowledge.  Oh Earth to Annie…thanks for stopping by!

Meanwhile, yesterday was hectic and I didn’t get a chance to do all my daily Internet activities such as responding to blog comments, answering emails etc.  In the am, I took my daughter to visit the Denver Center for International Studies, which is a 6th grade -12th grade public magnet school in Denver.  Denver residents are lucky to have school choice - but we are also cursed because choosing a school is like applying to college.  She will be starting middle school next year and we’ve narrowed our choices down to 4 including the one above, Denver School of the Arts, Morey Middle School which has a gifted magnet program, and one other neighborhood school.

My first choice for her is the international studies school - it’s so cool, they start studying a foreign language in 6th grade (French, Spanish, Italian, Chinese or Japanese) and they visit countries where their language is spoken starting in 9th grade.  Her first choice is Denver School of the Arts - but they only accept 20% of applicants.  Besides, does our family need more than one artist?  DCIS accepts about 50%, Morey is an automatic in - and the other school is just an extra for decision making purposes.  All 3 of these schools are urban & very diverse - and bonus upon bonus - they provide busing!

The downside to all of school choice is that applications are due by Dec. 12 for following year and include essays, interviews, teach recommendations, test scores - all for 6th grade!  It’s a little overwhelming for both of us.  I promised her that if she decides to go to DCIS, I’ll take classes in whatever foreign language she picks.  Wouldn’t Japanese be cool?  Of course I’d sign up to chaperon field trips whenever possible!

TGIF,

~Cynthia

Me, Lillian, Annie, Cindy, Diane and Kathi

On Saturday, I took a one day hand-building workshop with 5 other people taught by Annie Chrietzberg at her studio.  In addition to being an accomplished artist, Annie has been writing articles for Pottery Making Illustrated and graciously shared her hand-building techniques and templates with us.  If you visit her website, check out her workshop schedule and download her some of templates for your own use.  I highly recommend taking one of her workshops if you happen to be in the Denver area or any other of her scheduled workshop cities this year.

Kathi and I making handles for our cups

We’re really paying attention and don’t want to miss a thing!

Rolling out slabs for our platters

Another demo

My cup

I’m super excited about learning how to make a more refined cup using hand-building techniques.  When I first saw Annie’s gorgeous cups, mugs and tumblers I wondering how she got that texture on her cups that look like they could have been thrown on a wheel.  The cups we made are HUGE!  I’m guesstimating that these would hold upwards of 20 ounces once fired.  That’s a whole lot o joe!  I love coffee, although occasionally, I drink a good strong cup of English tea or green tea.  Check out all the different ways one can drink coffee.

We also made a small platter with double sided texture.  These are really cool!  I imagine that I will further shun my wheel in favor of hand-building techniques.  My challenge now is to change the templates and to add my own textures.  One of my main concerns when taking a workshop is that my work will end up looking like the instructors.  So, I’ve got some work to do to make these my own.

I really enjoyed the day and am ready to make some new work!

Have a great week,

~Cynthia

I’ve rolled out a slab of “ash” white stoneware clay purchased from Mile Hi Ceramics.  I’m going to give my new lino cut a try.

I found that I get a better print when I used a rubber mallet to set my lino-cut in place - otherwise it slipped a little when I ran the rolling pin over it several times from different directions.

After I printed the clay and before I lifted the lino-cut, I trimmed away the excess clay from the slab.  I cut my linoleum pretty precisely before I carved it.

Voila, my print - see the bottom center?  this is before I realized that I should use the rubber mallet to get a good print.

Here, I’ve got 4 sides of my poppy lino-cut printed and a large slab for the top and bottom.  If you do your math, you’ll see that i actually printed 5 sides, even though I only meant to do 4.  I turned the fifth one into a tile.

This could be why I printed out 5 sides instead of 4.  :D  It was after 8 pm after all.

A funny thing happened a few weeks ago.  About a month ago, I ordered a Bevel-o-Matic tool from claystamps.com after reading a tool review on Emily Murphy’s Pottery blog.  After 2 weeks, I didn’t receive an acknowledgment or the tool in the mail.  I had used the Paypal link on their website to purchase, so I followed up with an email and canceled the transaction.  About a week after that, I received an email from them apologizing and telling me that they’ll put one in the mail for me and that I should send them a check after receiving it.  I wasn’t quite sure I’d see one or not, but lo and behold, a Bevel-o-Matic tool arrived a week later.  It seemed so refreshing to me that the owner would trust me enough to send before receiving payment.  So, I am definitely one happy customer and promptly stuck a check in the mail.  By the way, it works like a charm!

I worked on 2 boxes simulataneously.  These are larger than the porcelain ones I’ve made in the past couple of months.

Here, I am dutifully adding clay coils to the joints to strengthen them.  I tried not adding them to a couple and experienced some cracking.  The glaze covered the cracks up, but I was worried the whole time while they were firing.

Walls are up - only have to add the tops.

Vine printed box is now drying and setting up.

Here’s the poppy printed box.  I think I like the way this print turned out.  I suppose the real test will be after glazing.  I’d like to see the glaze break nicely over the raised and recessed parts of the boxes.

Meanwhile, I am attending a one day hand-building workshop with Annie Chrietzberg tomorrow.  I hope to report back on Monday with all the wonderful things I learned at her studio!

Have a good weekend,

~Cynthia