P is for Patience…

Cynthia Guajardo Porcelain Cake Platter

Top of Cake Platter, porcelain clay, colored slip, sgraffito

Cynthia Guajardo
Cynthia Guajardo Porcelain Cake Platter
Bottom of Cake Platter, this is approximately 12″ in diameter x 6″ high

Cynthia Guajardo Mugs
Mugs – Still Green

Is it Wednesday already?? I had meant to post yesterday, but our torrential downpour Monday night prevented me from photographing some of my new work. So, I had to postpone my “photoshoot” till last evening.

Back to the title of this post. Now, I don’t want to have a pity party for myself or anything, but I have been learning or maybe re-acquainting myself with the nuances of working with clay in the past few months. She’s a demanding mistress and will not be rushed. But, if one waits too long, then the opportunity to manipulate the medium quickly disappears. How am I learning this lesson? The cake platter above, is one that I threw Sunday, May 6th, and it’s only been ready to handle in the past couple of days. I had already trimmed the piece, but I’m drying it very slowly. I don’t want it to warp or crack at any stage of the making process.

I think I’ve mentioned this before, but I really think that I have a touch of ADHD. One of the reasons clay works for me is that I bounce from project to project depending on where the pieces are in said making process. I can throw something, put it aside, carve something else, glaze something, fire the kiln, etc. etc. all in the same day. The ultimate multi-tasker’s nirvana. Or, maybe I enable myself?? Not sure.

Despite the bouncing around that I do in the studio, I’m learning not to rush the clay. I have had more than my share of warped and badly glazed projects come out of the kiln in the past month, not to mention cracked handles etc. I am really trying not to become attached to a piece, until after it comes out of the kiln for the final time, which is hard to do when one spends X amount of hours on a piece. All of my pieces become like my babies.

I have to say, that I really like how this one is turning out. In the top 2 images above, I hadn’t yet finished carving the design. I’m pleased to let you know that the carving is complete as of last night. I finished carving the platter while I watched AI and Haus last night. It’s always good to multitask while watching TV. I don’t have a new photo of the finished platter, but you get the idea. Now, my project has to finish drying so that I can bisque fire it this Friday/Saturday.

As far as the design goes, it came about as the result of 2 mugs whose handles I cracked while transporting them from one side of my studio to another. My first instinct was to launch them accross the room, but then I thought I should use these as test carving pieces/colored slip pieces.

Anyway, must get going now,

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Misc. Eye Candy…and Cake Platter Again

Cynthia Gujardo

Handbuilt plate with accent glaze

Plate by Cynthia Guajardo
Notice the ruler – this time the plate should be large enough at about 11.5″ in diameter

It’s been a lazy weekend around Denver, mainly because it’s been raining on and off and all I want to do is take a nap.

I did manage to get out into the studio today and weighed out 5 pounds of clay to attempt another cake platter. It sort of boggles my mind that a plate requires that much clay. But, after you take into account 10-15% shrinkage, trimming etc. I guess that’s about right. I probably could have used 6 lbs, but I just didn’t want to waste too much clay since this won’t have a foot like a normal plate would.

I need to let these set up a little bit so that I can assemble it tomorrow. Though, I am tempted to fire them separately and attach the pieces after firing. At this size, I worry about warping during the glaze fire. While I was out in the studio, I threw some more mugs. My goal for the Summer Art Market is to have at least 20 mugs. I have a schedule of how many platters, vases, spoon rests, plates, etc. that I want to have ready in time for the market. I should just spend the next week throwing and then the following trimming, followed by a week of glazing so that I’ll be ready for the market come June 9th.

In other news, I was contacted by a gallery in Louisiana asking if I would be interested in being represented by them. We’ve been emailing back and forth and I’m trying to see if this would be in my best interests. It’s a fine art/craft gallery so it seems like it would be a good fit medium wise. I’ll let you know in the next week what I decide.

Ingrid Calame,eeec-FFw-eeec-FFwFFw, 2003,enamel on aluminum,24 x 24 inches

eeec-FFw-eeec-FFwFFw by Ingrid Calame, enamel on aluminum, 2003

I was glancing through a magazine on Saturday and came across the work of artist, Ingrid Calame. I was immediately drawn to her art work and paused to read the article and look up information on her art on the ‘net. She considers herself a realist. Not my first thought when I looked at her artwork. Her work is similar to the philosophical idea behind “Trashball Art”; she traces stains and other marks left by humans and then transfers the marks to aluminum. Her drawings are exquisite – multiple layers of vellum trace.

Have a good week everyone!

In the meantime, I’m looking forward to hearing about “Art Ball” by Jafabrit and cohorts.

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