Hybrid vases, cone 6 white glaze and glaze calc program
I liked making these 2 vases – the bases were made from slabs of clay and the wheel thrown neck was added after the hand built portion of the vase had set up (not quite leather hard) enough to withstand having the neck addition. I also made a bisque texture plate using ginkgo leaves from the little tree I planted in my yard – though I haven’t used it yet. The white glaze is new for me – it’s from Mastering Cone 6 Glazes by Hesselberth and Roy, pg. 108 “Faux Majolica”. There’s a great interaction between the white and the aqua color glaze where they overlap that I really like.
In an effort to use and store a limited number of glazes and all the associated raw materials in my small garagio, I thought this white would be good as both a liner and I might like to try painting some stains on top in the future maiolica style. I decided to be conservative and only made a 5,000 gram batch just in case I didn’t like it, but I have to say, it fires terrifically!
In regards to glazes, I decided to bite the bullet today and purchased the Digital Fire Insight Glaze Calculator after testing several different programs, even a free glaze calc program. I’m all about free, unless it isn’t working for me and this one isn’t a terribly intuitive program – but that really applies to me only. Maybe now that I have the glaze calculation program, I can add my glaze recipe page to my website. I’ve been too lazy to format tables in word for my recipes and it would be really cool for others to see the analysis that accompanies each.
I really like the way this mug turned out – round top, square bottom and the faux majolica MC6 glaze interacts nicely with this green one too! In an effort to move away from the templates that ceramicist, teacher and writer Annie Chrietzberg gave to everyone this past summer during a workshop I took here in Denver, I tweaked her template just a tad giving the mug a square base instead of a round one. The tweak was minimal, but effective.
Speaking of Annie – I wonder if her ears are ringing right now…I enjoyed spending a couple of hours with her yesterday in my studio. She’s warm, funny and very generous with her knowledge. Oh Earth to Annie…thanks for stopping by!
Meanwhile, yesterday was hectic and I didn’t get a chance to do all my daily Internet activities such as responding to blog comments, answering emails etc. In the am, I took my daughter to visit the Denver Center for International Studies, which is a 6th grade -12th grade public magnet school in Denver. Denver residents are lucky to have school choice – but we are also cursed because choosing a school is like applying to college. She will be starting middle school next year and we’ve narrowed our choices down to 4 including the one above, Denver School of the Arts, Morey Middle School which has a gifted magnet program, and one other neighborhood school.
My first choice for her is the international studies school – it’s so cool, they start studying a foreign language in 6th grade (French, Spanish, Italian, Chinese or Japanese) and they visit countries where their language is spoken starting in 9th grade. Her first choice is Denver School of the Arts – but they only accept 20% of applicants. Besides, does our family need more than one artist? DCIS accepts about 50%, Morey is an automatic in – and the other school is just an extra for decision making purposes. All 3 of these schools are urban & very diverse – and bonus upon bonus – they provide busing!
The downside to all of school choice is that applications are due by Dec. 12 for following year and include essays, interviews, teach recommendations, test scores – all for 6th grade! It’s a little overwhelming for both of us. I promised her that if she decides to go to DCIS, I’ll take classes in whatever foreign language she picks. Wouldn’t Japanese be cool? Of course I’d sign up to chaperon field trips whenever possible!
TGIF,
~Cynthia
Working away and pimping my Facebook profile
On Friday, I drove to the hardware store because I was out of mapp gas for my torch and while I was there, I decided to pick up an anti-fatigue mat for my new wheel set up since I’m pretty sure, I’ll never sit down to throw again. The mat is cushy and much more gentle on my legs than bare concrete, but it has that noxious rubber/new carpet smell that makes me nauseous. Anyone know how to get rid of that smell?
On a side note, I was very sad to pull into my favorite mom and pop hardware store that’s been in Denver forever. The doors were shuttered and a sign read “Out of Business”. Instead of being able to run in and out of the store fast, I headed over to Home Depot to find what I needed and wandered aimlessly until I found what I needed.
This is one of my favorite forms to make. I’m not sure how practical they are, but I like them. I’m trying to figure out how to finish and glaze these after I bisque fire them.
The cool thing about my recent studio push is that a ton of new ideas are popping into my head every day. Making stuff is giving me ideas which makes me think that when I’m having one of those uninspired moments, I just need to do something in the studio – anything. I need to sketch/write some of these ideas in my notebookso that I can explore some of them after the sale ends. Today and tomorrow are really my last day to make work for the Colorado Potters Fall Sale opening in 2 weeks. Today, I’m going to make some butter dishes and tomorrow, I plan on making some ornaments. I figure the ornaments will dry pretty fast.
I’ve also been playing around with different thrown necks for the slab built vase bases. I kind of like how no two are alike. Do you ever make stupid mistakes in the heat of making work for a show? I did that on Saturday and I swear, I almost cried and was cussing like a sailor at my carelessness.
Shelving is at a premium right now and I had placed a ware board with 2 vase bases and about 3 wheel thrown necks on an unstable surface…topple, crash, bang, boom. Lesson learned. If I’m going to take the time to make the work, I need to be conscientious of where I place it.
I think it’s time for me to fire a load of bisque and to start glazing so I can free up some room. My shelves are full and there’s no extra space for work. Consequently, I’m getting creative. If you look closely, that is indeed a margarita sitting on the drywall board. The drink was courtesy of my husband and was his way of saying, “time to quit for the day.”
Meanwhile, I’ve been having a lot of fun playing around with Facebook. If you’re on FB, look me up. I’ve found a ton of old high school classmates and continue to add clay people to my “friends”. I even chatted with someone from Turkey the other day.
I also have a ton of blog posts lined up – too much to say, so little time. I actually sat down at the computer around 9 pm last night intending to write this post, but I didn’t have the energy to write.
That’s it for today,
~Cynthia
New Greenware Handbuilt and Wheel Thrown
I like a very large cup of coffee in the morning and because of this and some other criteria, I’ve set out on a quest to make mugs that I would like to use. I have about 4 different mug styles that I’ve made in the past 3-4 weeks and am anxious to see which ones sell the best at the Colorado Potters Guild Sale in early November. I think this will be great feedback – the market is always a fair judge, don’t you think?
This is one of those designs that I conceived during an insomnia laced night last week and I’m still working on the size. The mugs are huge. I’m not sure how many ounces of liquid each will hold, but I’m guessing that they’ll hold over a pint. Yesterday I made some smaller versions and trimmed an inch off the hand built section of the mug.
Some ideas are better than others and this one falls into the latter category. It’s okay, but didn’t thrill me once I finished constructing the vase.
So, I took the same idea and basic shape and added a wheel thrown neck to make a better design. I like this a lot better; however, when I showed it to my husband he wasn’t very enthusiastic. The design and shape probably need to be tweaked a bit. After I looked at the vase on my computer screen this morning, I thought that it might look nice with a narrower bottle like neck. I’ll try that today. I’m using my Lid Master Caliper to gauge the width of the neck, but have been throwing it slightly wider than the hand built base so I’ll have to work out a system to get the wheel thrown section just the right size.
I am excited about the size and height of the vase. I have a hard time throwing more than 5 lbs of clay at a time and it’s hard for me to get any great height using porcelain clay. I used a white stoneware clay for these pieces and I forgot how groggy the clay is. Talk about multi tasking – I’m throwing and exfoliating my hands at the same time.
This photo and the next are for Linda, who recently started taking a clay class in England. I don’t have a slab roller in my studio and roll my slabs with a large over sized rolling pin on canvas. I use a rubber rib to smooth out the canvas marks.
My favorite ribs are flexible plastic ones from Sherrill – they come in 4 different colors which correspond to how firm or soft a rib is. The green one is fairly firm, but not the firmest one in the bunch. I use the green one when I’m throwing on the wheel or when I’m smoothing and compressing slabs of clay.
Meanwhile, I only have until the end of this week to make work for the sale in November. I don’t think I’ll make it to the 105 allowable pots and will realistically have closer to 70-75. I am going to continue making work though since the holidays are fast approaching.
Have a great week,
~Cynthia
Hand Building Pottery with Slabs of Clay and Kid Art
Today’s post is down and dirty – lots of pictures, little text. Why? I’m working away in the studio and my in-laws are visiting which makes finding time for online activity a difficult. I’m still hand building work and thought I’d show you my set up. I tend to work on 4-6 mugs at a time now because it’s more efficient and it allows the clay to rest a bit while I go through the assembly line.
My tools are pretty basic. I use a drywall board, banding wheel, X-acto knife, sponge, water, paper clay slip, scoring tool, wooden kitchen spoons (both ends), mini Kemper extruder for coils that I force into the joints, along with beverage at the ready and music or favorite podcasts. What you don’t see is my wheel that is acting as the base of my work table. That’s going to change today though since I feel like throwing a bit.
A prerequisite for any mug that I buy nowadays is that it has to have at least a 10 oz.+ capacity and a very stable wide bottom, capable of sitting on the arm rest of my sofa without spilling because this is my favorite place to drink the first cup of coffee of the morning while I wake up. Most likely, you’ll find me answering emails, blogging and otherwise engaging in online activities in this very same spot. Sometimes I even read the newspaper, but I’m currently taking a news sabbatical for a bit for my mental sanity.
I’ve also been playing around with making the bottom of my work as interesting as the visible portion of a piece.
I really love teaching kids – they’re a lot of fun and very high energy. We recently made “soup can” mugs for a project. They’re a way for the kids to make something functional just for themselves, though, some of the kids were also making presents for their parents.
Here’s a recent project – everyone went with a Halloween theme. They will be glaze fired tomorrow or Sunday and I can’t wait to see how they turn out.
Gotta run, have a great weekend!
~Cynthia




















