I picked up the book (above) from the library a few weeks ago and only got around to reading it yesterday morning. Paul Wandless’ book has me swimming with ideas of how to use some print-making techniques on clay. I think it’s going to be the next phase of experimentation in clay work for me. I do love the immediacy of carving in clay, but it is time consuming, a commodity that I always seem to be lacking lately. I do have some Golden Cut Linoleum that I have been planning on using. I just need to cut the sheets down to size. The ones that I have are 18″ x 24″ sheets. By taking the time to carve a master block, I would be able to make multiples of a single image. I’m a proficient thrower and slab maker so I could easily throw a set of mugs and then “print” the design vs. carving them for hours.
Also up next is trying out some toner decals for ceramic pieces and some other image transfer techniques on clay such as Lazertran transfers as outlined in Paul’s book. Lazertran transfers don’t work for functional pieces because it’s a cold technique, meaning that it’s not fired onto the surface. Toner decals are fired onto the surface which would make these pieces useable.
I’m also intrigued by a Japanese product, called RISO Print Gocco. GOCCO is an at home screen printing process, and depending on the size of your unit, you can make masters for a 4″ x 6″ image up to double that size. Paul Wandless also does screen printing on clay, but the GOCCO seems like it would be a little easier to set up. Instead of inks for the screen printing, underglazes are used for ceramics. The image is then baked on the surface of the piece and it can be glazed too. I have done relief printing on clay before and really enjoyed the process.
You can check out some of Paul’s work here.
I took someone to the airport this morning at 5am, I didn’t realize how beautiful the sunrise is over the city of Denver at that time of day. I wish I had brought my camera!
Have a good weekend everyone,
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